The same idea, built four hundred years apart. The first frame is the Kyu-Asakura House over in Daikanyama, a room with its doors slid open and the whole garden composed into the opening: a stone lantern, moss, maples, a low bench placed exactly where you would sit to look. You are meant to stay inside and let the garden come to you.
The second is Kengo Kuma's Nezu Museum doing the same trick with glass. The trees outside lie across the panes as reflections while the lit interior and its staircase show through underneath, inside and outside folded into one surface. Different century, same instinct: frame the green, then get out of its way.
Two different places a few hours apart, the Kyu-Asakura House and then the Nezu Museum across in Aoyama, kept together here for the resemblance. Both ran high, ISO 1600 in the shaded room and 6400 against the dark glass, the 55 wide enough to hold each frame.